Dress up your laptop with this Danny Haas skin inpsired by Joss Whedon’s Avengers lineup available on Society 6.
Read also: Is Josh Weaton really Joss Whedon?
EW.com reports that NBC has rejected David E. Kelly’s pilot for Wonder Woman (and quite possibly saved Adrianne Palicki’s career at the same time).
A lot of people have been crapping on the new series before even seeing an episode. The costume design, especially, was a point of contention among fans chattering away on Twitter, Facebook and blogs.
But let’s be honest: it would have to be some sort of masterpiece to not come off like a cheesy NBC 80s action series. (Who else remembers Manimal?)
Some concepts simply don’t translate to different mediums.
Take Joss Whedon’s Dollhouse, which aired on FOX. The concept is intriguing, and better suited to the comic book format. I really wanted to like the TV series but it always seemed fairly cheesy and forced, and I lost interest after season one. Now Dark Horse has taken up the mantle, and I’m ready to give it another chance.
If fan reaction had been more positive for Wonder Woman, would NBC execs have overlooked the weak spots in the series and given the green light to the pilot? While we’ll likely never know with any certainty, one would assume it would have helped.
EW.com has a few other reasons why the series wouldn’t work, as well as some reasons why it would.
(via MTV SplashPage)
Someone popped up on Twitter about a month and a half ago calling himself Josh Weaton and tweeting about the upcoming Avengers movie he claims to be directing.
Is this Joss Whedon in disguise?
Their Twitter bio pics certainly look similar to one another.
Whedon hasn’t Tweeted since November. Weaton’s account appears to have begun in March.
Joss Whedon has 10,000+ followers. Josh Weaton is closing in fast at 570+ followers as of this writing (there were 188 followers only 24 hours ago).
Following the Daniel Clowes comic talk that kicked off the 2010 Toronto Comic Arts Festival last Friday evening, a friend and I debated whether or not we liked the man over pints.
We’d just listened through an hour of the Oscar nominee and National Post writer Mark Medley talked at length about his start in comics, his inspirations, his early work for Cracked magazine, the experiences Ghost World have brought him, and the making of Wilson (Drawn + Quarterly), his newest graphic novel – the first in five years.
He was entertaining and funny for the most part, but some of his answers – especially those responding to audience questions – came off as a bit too cool and dismissive. It was this “Yeah, whatever” attitude that had us wondering whether Clowes deliberately cultivated this affected loner persona, detached from regular folk and the trends that consumer them.
Or was this a symptom of it being Clowes’s first public appearance in six years as he kicks off a nine-city promo tour for Wilson?
Or could it simply be the honest reaction of a painfully shy individual, someone reportedly so uncomfortable with all the attention focused on him that he goes private with him email and contact information?
His answer to the iPad and comics question was, loosely, “We [artists] will get screwed somehow, we always do.” I also felt a little bad for the audience member – and young, nervous fan – who asked for Clowes’s reaction to being studied in university classrooms alongside Will Eisner and Art Spiegleman. Loosely ‘It sure sells a lot of copies!’ may have sounded funny in his head, but rolling off his lips it came across as dismissive. The audience would have appreciated a little more thoughtful response. Again, though, one might chalk that up to nerves. Who wouldn’t be sitting in front of a room filled with hundreds of strangers?
But it brought up the question of why people and fans feel compelled to want to like the artists whose music, films and writing they admire. (Admittedly, we’re a few pints in at this point, but we’re having fun.) I mean, as much as Joss Whedon groupies love the work, they adore the man who can do no wrong.
Here’s a short clip for an upcoming documentary on Warren Ellis. I don’t find him a very likeable fellow. He’s an intense and a deep thinker, and an apparent chain smoker and heavy drinker (at least the clip suggests that). But he sums up exactly why I like reading his books, mostly the original creations like Fell and Supergod and Global Frequency, but the occasional story of heroes in spandex as well.
Art should challenge the audience – sometimes intellectually, sometimes emotionally. A good artist needs to be slightly disassociated from society to reflect and comment on it successfully.
Back to Clowes, I’ve only read Ice Haven once, though I’ve seen Ghost World, and deserves a second read by now. I recall it made me uncomfortable in a slightly more grimy and less funny way than Curb Your Enthusiasm achieves. I fully expect Wilson to be equally unsettling.
If you’re on the hunt for some Clowes content, last week’s Eye Weekly cover story shines spotlight on the artist. The piece seems a tad gushing after hearing the man speak.
Globe and Mail review of Wilson offers a decent synopsis of the graphic novel. The print edition features an interesting panel-by-panel annotation by Clowes of the page from Wilson that’s featured at the link if you can track it down.
Finally some pictures from the event.